Thirty-Six Poetic Immortals

三十六歌仙図屏風

mid 1700s

attributed to Tatebayashi Kagei 立林何帠

(Japanese, active mid-1700s)
Image: 170 x 182.8 cm (66 15/16 x 71 15/16 in.); Overall: 174.4 x 187.2 cm (68 11/16 x 73 11/16 in.); Closed: 94 x 4 cm (37 x 1 9/16 in.)
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.
Location: not on view

Download, Print and Share

Did You Know?

The green surface edged with stripes at the upper left of the painting represents tatami matting with a silk border.

Description

Fujiwara no Kintō (996–1075), a Japanese courtier, scholar, and poet, compiled select examples by the most celebrated composers of 31-syllable poems (waka) from the 600s to the 1000s. Painters soon made these “thirty-six poetic immortals” a favorite subject, traditionally presenting the poets in sequential, idealized portraits paired with their poems. In this interpretation, a chronologically impossible gathering of these great talents is in progress. The screen’s composition follows one devised by design virtuoso Ogata Kōrin (1658–1716).
Thirty-Six Poetic Immortals

Thirty-Six Poetic Immortals

mid 1700s

Tatebayashi Kagei

(Japanese, active mid-1700s)
Japan, Edo period (1615-1868)

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.