The Cleveland Museum of Art
Collection Online as of April 26, 2024
Cloth with Procession of Figures
170 BCE–70 CE (radiocarbon date, 95% probability)
Overall: 69.8 x 280.7 cm (27 1/2 x 110 1/2 in.); Mounted: 78.7 x 290.2 cm (31 x 114 1/4 in.)
The Norweb Collection 1940.530
Location: not on view
Did You Know?
Characteristics of the pampas cat and the emperor tamarin monkey are visible in the marching figures.Description
Experts agree that this cloth is one of the greatest paintings to survive from Andean antiquity due to the realism, complexity, large size, and refined execution of its figures. All but one of the figures wear the whiskered mouth mask of Nasca supernatural beings and several carry or wear severed human heads, which the Nasca linked to nature’s fruitfulness. Thus, the figures seem to represent supernatural forces or humans personifying such forces during a ritual devoted to agricultural fertility. Originally, the panel was attached along its upper edge to a dark blue cloth of equal size. The complete textile may have served as a mantle (a shawl-like garment), a hanging, or a funerary offering.- ?-1940Emery May Holden Norweb (1895-1984) and Raymond Henry Norweb (1894-1983), Cleveland OH, given to the Cleveland Museum of Art1940-The Cleveland Museum of Art, Cleveland, OH
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New York: Kluwer Academic/Plenum Publishers, 2002. p. 93, fig. 3.8Cáceres Macedo, Justo, and Justo Cáceres Macedo. Tejidos del Perú prehispánico = Textiles of the prehispanic Peru. Lima, Peru: Justo Cáceres Macedo, 2005. p. 376Fagan, Brian M., and Christopher R. DeCorse. In the Beginning: An Introduction to Archaeology. Upper Saddle River, N.J.: Pearson Prentice Hall, 2005. p. 278, fig. 11.18Palmero, Paola Buratti. Mantas di Jasimaná: l'abilità tessile di un'antica etnia delle Ande Argentine. [Biella]: Progetto Ermanno, 2006. p. 40, fig. 6Frame, Mary. “Cronología de los fardos funerarios de Wari Kayan, Paracas Necrópolis.” Hilos del pasado: el aporte francés al legado Paracas. Lima: Instituto Nacional de Cultura, 2007. p. 35, 43-44, 46Cleveland Museum of Art, David Franklin, and C. Griffith Mann. Treasures from the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, 2012. pp. 42-3Cleveland Museum of Art. The CMA Companion: A Guide to the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2014. Mentioned and reproduced: P. 341Boucherie, Nathalie, Witold Nowik, Dominique Cardon, "Etude de Colorants d'une Offrande textile (Y16) Exceptionnelle, decouverte dur le Site de Cahuachi (Culture Nasca)," Techne No. 41 (2015). pp. 47-54Fagan, Brian M. Ancient Lives: An Introduction to Archaeology and Prehistory. 2017. p. 418"New in the Galleries.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 57, no. 1 (January/February 2017): Back cover. Reproduced and Mentioned: Back cover.
- Ancient Andean Textiles (Ancient Andean textile rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 4, 2021-December 4, 2022).Gallery 232- Andean Textile Rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (August 30, 2016-August 21, 2017).Andean Gallery 107 Rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 21, 2001-November 18, 2002).Gallery 107 textile rotation. The Cleveland Museum of Art, Cleveland, OH (November 21, 2001-November 18, 2002).Treasures of Peruvian Gold. The Cleveland Museum of Art, Cleveland, OH (February 23-April 3, 1966).Treasures of Peruvian Gold, The Cleveland Museum of Art, Cleveland, OH, (February 23- March 3, 1966).Ancient Arts of the Andes, The Museum of Modern Art, New York, NY (January 26- March 26, 1954).Art of the Americas. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 9, 1945-January 6, 1946).
- {{cite web|title=Cloth with Procession of Figures|url=false|author=|year=170 BCE–70 CE (radiocarbon date, 95% probability)|access-date=26 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1940.530